With an early vocation, Berta Cáccamo (Vigo, 1963) grew up in a universe linked to the creation. Considered one of the most important Spanish painters of his generation.
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The project Critical [Ex]positions. Critical Discourses in Spanish Art, 1975-1995, directed by Santiago Olmo and curated by Armando Montesinos and Mariano Navarro, aims to highlight the existence of critical criteria and interpretations that have shaped different theoretical lines and discourses, sometimes with shared elements and other times with clearly opposing ones, thus contradicting the cliché that critical thinking has never been part of the Spanish art world.
General Confession is a retrospective of Luis Gordillo, curated by Juan Antonio Álvarez Reyes, director of the Centro Andaluz de Arte Contemporáneo in Seville and Santiago Olmo, director of the CGAC.
Place: Contingencies of Use is an approach to the existential meaning of architectural space. The project shows site-specific works by the artists Patricia Esquivias, Luciana Lamothe and Sofía Táboas, produced for different locations within the building designed by Álvaro Siza.
In the current context in which society is concerned about the proper functioning and use of public funds and services, and responding to the legal obligations imposed by the various public adminis
Bathers comprises an extensive set of anonymous photographs of semi-naked boys, scarcely covered by a swimsuit and pictured in contact with nature. Boys who appear outdoors: by beaches, swimming pools, in the countryside, beside lakes or rivers, recreating the traditional iconography of bathers that has enjoyed a high profile throughout the history of art.
Eduardo Batarda (Coimbra, 1943) is one of the most recognised artists in Portugal and Mise en abyme is his first solo exhibition in Spain. Known for his paintings and watercolours, his work was first influenced by English pop art, comics and illustration, halfway between figuration and abstraction.
Paraphrasing the title of perhaps the most experimental novel by Julio Cortázar, 62 / A Model Kit, the collection is conceived as a model kit, as an essential
Some artists arrive at a theme through research; others do so by inclination. Álvaro Negro clearly belongs to the former.