CHRISTIAN GARCÍA BELLO. COMO TIZÓN QUEMADO
In Como tizón quemado, Christian García Bello (A Coruña, 1986) streamlines his creative process towards the contained convincing nature of the gesture and the uncompromising severity of a character in a state of specific and positively radical evasion. This evasion is loyalty to oneself, the finding of the temporal striving and stratifying itself upwards; and it is an attribute of transcendent individuality that, as well as the integrity required, is also a product of inflexion and reflection and its transformation into an object: three-dimensional materiality, unequivocal and, lesser still, derivative and desinential, in which to shelter, find and relaunch oneself. The non-trivial complexion of the site-specific installation establishes a logical unity with space (void, light and certain apparent perspectives) which characterises the surrounding environment, and twists it in a succession of states of vertical and horizontal tautness, harking back to a pure and reasoned geometry. And the use of wood, graphic, cord, gives texture to such a primary, insistent and focal frame, the affirmation of man’s inviolability and substantive uniqueness.