Graham Gussin (London, 1960) uses a wide range of media, including texts, drawings, film, video, sound, photography and installation, to explore our perception of time, space and scale. His works frequently appropriate and manipulate images and literary narratives taken from art history, popular culture and, above all, cinema.

His capacity to create pieces with a unique interpretative density is consolidated from a continuous play on references and conceptual relations, which refer to a perceptive transit, which, in turn, takes us to mental landscapes, where the feeling of unease, strangeness and melancholy can emerge in an intriguing proximity or in the most unusual remoteness.