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With an early vocation, Berta Cáccamo (Vigo, 1963) grew up in a universe linked to the creation. Considered one of the most important Spanish painters of his generation, he has been able to distil away influences from very different times, always ready to debate with her work, with the problems of art and its images.

The project directed by Santiago Olmo and curated by Armando Montesinos and Mariano Navarro, aims to highlight the existence of critical criteria and interpretations that have shaped different theoretical lines and discourses, sometimes with shared elements and other times with clearly opposing ones, thus contradicting the cliché that critical thinking has never been part of the Spanish art world.

The exhibition is the first by the Sevillian artist in Galicia, and it allows us to follow his work, from the series of informalism-based drawings of the late nineteen-fifities to the paintings and photograph works in which canvases are used as media and computer graphics as tools.

Place: Contingencies of Use is an approach to the existential meaning of architectural space. The project shows site-specific works by the artists Patricia Esquivias, Luciana Lamothe and Sofía Táboas, produced for different locations within the building designed by Álvaro Siza.

In the current context in which society is concerned about the proper functioning and use of public funds and services, and responding to the legal obligations imposed by the various public adminis

Bathers comprises an extensive set of anonymous photographs of semi-naked boys, scarcely covered by a swimsuit and pictured in contact with nature. Boys who appear outdoors: by beaches, swimming pools, in the countryside, beside lakes or rivers, recreating the traditional iconography of bathers that has enjoyed a high profile throughout the history of art.