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The discursive strategies that provide the foundation for the work of Diego Santomé (Vigo, 1966) are directly linked to the concepts of utopia and failure, equilibrium

Since 1997 Juan Uslé has been working on a series of works known as his ‘black paintings,’ which takes a central position in his oeuvre. In the fifty paintings that make up the series Soñé que revelabas, most of them done at night, Usle carries out a highly concentrated and meditative disquisition on the structural conditions of painting and the painting process.