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Since 1997 Juan Uslé has been working on a series of works known as his ‘black paintings,’ which takes a central position in his oeuvre. In the fifty paintings that make up the series Soñé que revelabas, most of them done at night, Usle carries out a highly concentrated and meditative disquisition on the structural conditions of painting and the painting process.

In It’s Capital Cristina Lucas (Jaén, Spain, 1973) takes a look at some of the great enigmas, paradoxes, and challenges posed by the current capitalist system through four new works designed specifically for the context of this exhibition.