To celebrate these past twenty years, the CGAC Film Program is kicking off on a nostalgic note, with a celebration—the twentieth anniversary of the fo
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This exhibit takes a look at the artistic career of Chelo Matesanz (Reinosa, Cantabria, Spain, 1964), beginning with her works from the end of the eighties until the most recent ones.
2013 is the one hundredth anniversary of Alejandro de la Sota’s birth.
The Centro Torrente Ballester in Ferrol will be hosting two exhibitions with works drawn from the CGAC Permanent Collection: Miradas cinematográficas. Colección CGAC
27 negros is an ensemble artwork consisting of 27 20 x 20 cm black monochrome pieces by 27 different authors.
The photographic technique is the most basic and natural, chemical photography, where the light reflected on the landscape corrodes the elements that make up the film emu
Since 1997 Juan Uslé has been working on a series of works known as his ‘black paintings,’ which takes a central position in his oeuvre.
Mark Manders (Volkel, Países Baixos, 1968) é un dos artistas internacionais máis relevantes das dúas últimas décadas e autor dun dos corpus de traballo máis persoais de
The work of Rosendo Cid (Ourense, Spain, 1974) is based on key aspects ranging from a Dadaist spirit, as he often uses unaltered objects or images, to the somewhat seri
This exhibit explores and structures some of the most recent series by the painter Carlos León (Ceuta, Spain, 1948).
In Como tizón quemado, Christian García Bello (A Coruña, 1986) streamlines his creative process towards the contained convincing nature of the gesture and the uncompromising severity of
On the basis of the experience and recognition of four publishing houses from Galicia and Portugal, (Dispara, Fabulatorio, Ghost and Pierre von Kleist), this exhibition
De la generosidad falls within a series of exhibits that, over the past years, have been organised based on the Helga de Alvear Foundation Collection. On this occasion, the CGAC hosts a selection of works from this unique collection under the curatorship of its director, Miguel von Hafe Pérez.
Tectónica is not just another Manuel Vilariño exhibition.
The work of José Val del Omar (Granada, 1904- Madrid, 1982) displays his facets as inventor, visual poet and cinemist.
The Shadow and the Photographer shows Arissa's evolution since pictorialism to the avant-garde New Vision movement, through a careful selection of over one hun
The exhibition Theory and Practice of the Desert is a journey through the processes that are present in the work of Antoni Socias.