Territory is a video exhibition that aims to bring the public closer to the particularities of the Central American art scene through 18 projections by artists from Guatemala, Nicaragua, C
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One photograph. Two. Thirty-three. Two hundred and twenty-four. They arrive from all directions. Front doors open, biscuit-tin lids lift, family albums unfold.
As part of the community action programmes promoted by the CGAC and under the direction of La Querencia, last March we iss
Miralda has used audiovisual media both to document research processes related to the projects he works on and to create autonomous works, some of which draw on the sam
The CGAC, the first museum designed by Álvaro Siza Vieira, has addressed architecture from multiple perspectives throughout its programme of activities and exhibitions, often through the gaze of th
We are taking off once again on a journey around the world with this new edition of our family workshops!
The CGAC presents the eleventh edition of this series of workshops dedicated to contemporary architecture for children.
The exhibition Perception and Uncertainty addresses some of the most decisive changes and consequences that recent developments in science and technology are bringing about in our present,
The aim of this programme is to promote and facilitate a dialogue between the public and contemporary art using yoga as a tool for mediation.
Within the framework of the exhibition Nicasso and with the aim of gaining deeper insight into the work of Carlos Pazos, the CGAC is organising two commented f
CGAC presents this new writing laboratory, which will run over four months in fortnightly sessions.
HOURS: from 11 to 13 h The CGAC presents the fourth edition of this cycle of workshops dedicated to contemporary architecture for children. Furthermore, this year we will close the programme with a workshop aimed at families.
The Berlin-based artist Alexandra Ranner (Osterhofen, Germany, 1967) is to present her first solo exhibition in a Spanish museum at the CGAC.
Lluís Hortalà (Olot, Girona, 1959) plays with the deception and confusion of the gaze, immersing us in the art of trompe l 'oeil.