General Confession is a retrospective of Luis Gordillo, curated by Juan Antonio Álvarez Reyes, director of the Centro Andaluz de Arte Contemporáneo in Seville an
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Some artists arrive at a theme through research; others do so by inclination. Álvaro Negro clearly belongs to the former.
Eduardo Batarda (Coimbra, 1943) is one of the most recognised artists in Portugal and Mise en abyme is his first solo exhibition in Spain.
Antoni Muntadas (Barcelona, 1942), a figure of reference in international art, is building a transdisciplinary discourse centred on criticism of the media; he places the extensive function of art i
La bandera en la cima is the first full presentation of the project that Rafel G. Bianchi began in 2007: painting in a detailed manner the fourteen highest mountains in the world, the fourteen eight-thousanders. A feat that in the world of mountaineering is brimming with heroism and which in is reiteration as an artistic project betrays the role of the artist involved in a absurd trask. In addition to the fourteen final paintings, La bandera en la cima, drawing a comparison between the documentation of mountaineering and the documental strategies of conceptual art, also collects the traces of its through drawings, photographs. films or posters, many of which have been developed in collaboration with other artists.
Carlos Garaicoa (Havana, 1967) observes cities, architectures and unrealised dreams—some already forgotten and others still within reach.
Once again the celebration of International Museum Day will serve to launch the series, Music and Art.
In 2018, the year the 25th anniversary of the opening of the CGAC building is celebrated, its collection—which started in 1995 as a result of the combination of new purchases and loans f
The close relationship between art and architecture throughout the 20th century has converted the idea of ‘construction’ into an essential key to understanding our relationship with space, landscap
Nicolás Combarro (A Coruña, 1979) fits into a new spectrum of artists who work with photography.
Bleda y Rosa.
The work of Julião Sarmento is shaped from the borderline.
‘Accidents are part of the performance.’ ‘The idea must be good when the concept is bare and everybody can see it.’ ‘There is no freedom when everything is controlled by institutions.’ ‘I do not do art for others, I do art for myself.’ ‘Art is the only space for freedom’... These words of Esther Ferrer, gathered over years of conversations, present us with a radical, independent, antiexhibition and free artist with her own ideas. All this has made her since the beginning of her work as an artist—in other words, since she began doing anything—into somebody uncomfortable yet admirable, an example for everybody and at the same time somebody who is difficult to adapt to the roles assigned to an artist by the system of art today.