Exhibitions

The work of Dora García clearly stresses communication between artist and audience: Art represents the world no more, it becomes a producer of realities, often on the verge of fiction.

The portrait of an essential moment in time—the last breath of moral and sexual freedom brought about by the sixties, just prior to the crisis represented by the outbreak of AIDS.

Romo’s artistic practice is distinguished by its ability to generate long-term processes of research and production that reveal his interest in combining a range of disciplines, supports and constructive methods

Project structured on the dawning of diffe rentrepresentations of desire and of the several subjectivities, which confront convention and the patriarchal and heterosexist power.

The Human Stain thus intends to make visible the paradigm shift in the understanding of subjectivity and departs from a selection of major works from early Concept Art out of the funds of the collections of CGAC.