Observation, compilation, indexation, discovery, re-creation. In an oeuvre marked by silent gestures, Fernando Casás (Gondomar, Pontevedra, Spain, 1946) has maintained a constant relationship of curiosity vis-à-vis nature. The traces left by the passing of time, endlessly mutating entropic states and forms, encountered in the depths of the tropical forest or in the lush Galician countryside, are the determining factors in a creative journey…
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Eugenio Granell and cinema: a twenty-minute film is an exhibition conceived by the Eugenio Granell Foundation for the CGAC to celebrate the centenary of the artist’s birth. The exhibition, centred around his facet as filmmaker, is part of a project involving several institutions in Santiago and offers a broader view of the different aspects of the work of this multidisciplinary artist.
Gravity & Disgrace Ep. II discusses works that do not attempt to illustrate a specific narrative purpose, but rather to enrich the initial context of the exhibit, making it at the same time denser and larger. Bringing these objects together in the CGAC’s Double Space requires a clearer than normal interdependent reading. As a conscious curatorial plan, here it is important to understand that the autonomy of each of these objects is…
‘Accidents are part of the performance.’ ‘The idea must be good when the concept is bare and everybody can see it.’ ‘There is no freedom when everything is controlled by institutions.’ ‘I do not do art for others, I do art for myself.’ ‘Art is the only space for freedom’... These words of Esther Ferrer, gathered over years of conversations, present us with a radical, independent, antiexhibition and free artist with her own ideas. All this has…
Parapharsing the title of the exhibit Gravity & Grace. The Changing Condition of Sculpture 1965-1975, held in London in 1993, Gravity & Disgrace Ep. 1 is based on the principle of processual an theorical instability that caracterises contemporaneity to make an observation on the creative moments that represent a world in vertiginious mutation.Thus, the works presented in first episode of an event that later unfolds into other moments…
La bandera en la cima is the first full presentation of the project that Rafel G. Bianchi began in 2007: painting in a detailed manner the fourteen highest mountains in the world, the fourteen eight-thousanders. A feat that in the world of mountaineering is brimming with heroism and which in is reiteration as an artistic project betrays the role of the artist involved in a absurd trask. In addition to the fourteen final paintings, La bandera…
De la generosidad falls within a series of exhibits that, over the past years, have been organised based on the Helga de Alvear Foundation Collection. On this occasion, the CGAC hosts a selection of works from this unique collection under the curatorship of its director, Miguel von Hafe Pérez.
The Centro Torrente Ballester in Ferrol will be hosting two exhibitions with works drawn from the CGAC Permanent Collection: Miradas cinematográficas. Colección CGAC
En colaboración coa USC (Universidade de Santiago de Compostela), o CGAC presenta unha exposición na Igrexa da Compañía cunha serie de obras da Colección Fundación ARCO, Colección IFEMA e Colección permanente CGAC. A obra Mystique de Carles Congost abre esta exposición que pretende dialogar coa igrexa, a través dunha serie de obras de arte contemporánea que nos levan a ese concepto tanto relixioso como filosófico e literario que é o místico:…
