Exhibitions

The exhibition Theory and Practice of the Desert is a journey through the processes that are present in the work of Antoni Socias. Photography and painting, objects, installations and videos are linked through friction.

The universe of Luis González Palma (Guatemala, 1957) is made up of theme-related constellations that orbit around his work in a never-ending flow and return cycle. Identity and memory —the pillars of his early photographic series— are approached from the perspective of the portrait with lingering echoes of religious painting, the baroque and Pre-Raphaelite styles. Other themes that hover around his work are introspection, privacy, a…

This project, brought to CGAC after being presented at the Museum University of Navarra, constitutes the most recent body of work by artist Javier Vallhonrat. Under the title Interactions, it brings together 52 photographs, seven videos and a video installation. All of these works are divided into five sections—42ºN, Standard Drift, Boundary Friction, Record of Time, and Eolionimia—and distributed over the centre’s ground floor and first…

Arissa. The Shadow and the Photographer. 1922-1936 is a photographic exhibition by Colección Telefónica devoted to the Catalan artist Antoni Arissa (Sant Andreu, 1900 - Barcelona 1980).

Chema Alvargonzález · Jorge Barbi · Alberto Barreiro · Rui Calçada Bastos · Mircea Cantor · Tono Carbajo · Elena del Rivero · Florentino Díaz · DSK · Suso Fandiño · Joseph Kosuth · Eva Lootz · Alicia Martín · Asier Mendizabal · Álvaro Negro · Pamen Pereira · George Rousse · Eve Sussman · Peter Wütrich

The work of José Val del Omar (Granada, 1904- Madrid, 1982) displays his facets as inventor, visual poet and cinemist. With this neologism, Val del Omar’s intention was to combine the activity of the alchemist with that of the film-maker, and as such define his original approach to cinema: via technological research and his own experimental aesthetics.

Tectónica is not just another Manuel Vilariño exhibition. What is proposed here is an exploration into his creative and poetic world, but from a perspective which allows us to approach his work from an unprecedented angle or viewpoint.

In Como tizón quemado, Christian García Bello (A Coruña, 1986) streamlines his creative process towards the contained convincing nature of the gesture and the uncompromising severity of a character in a state of specific and positively radical evasion.

On the basis of the experience and recognition of four publishing houses from Galicia and Portugal, (Dispara, Fabulatorio, Ghost and Pierre von Kleist), this exhibition is rooted in the rapport between the creative act and its subsequent publication.