Exhibitions

This project, brought to CGAC after being presented at the Museum University of Navarra, constitutes the most recent body of work by artist Javier Vallhonrat. Under the title Interactions, it brings together 52 photographs, seven videos and a video installation. All of these works are divided into five sections—42ºN, Standard Drift, Boundary Friction, Record of Time, and Eolionimia—and distributed over the centre’s ground floor and first…

Arissa. The Shadow and the Photographer. 1922-1936 is a photographic exhibition by Colección Telefónica devoted to the Catalan artist Antoni Arissa (Sant Andreu, 1900 - Barcelona 1980).

Chema Alvargonzález · Jorge Barbi · Alberto Barreiro · Rui Calçada Bastos · Mircea Cantor · Tono Carbajo · Elena del Rivero · Florentino Díaz · DSK · Suso Fandiño · Joseph Kosuth · Eva Lootz · Alicia Martín · Asier Mendizabal · Álvaro Negro · Pamen Pereira · George Rousse · Eve Sussman · Peter Wütrich

The work of José Val del Omar (Granada, 1904- Madrid, 1982) displays his facets as inventor, visual poet and cinemist. With this neologism, Val del Omar’s intention was to combine the activity of the alchemist with that of the film-maker, and as such define his original approach to cinema: via technological research and his own experimental aesthetics.

Tectónica is not just another Manuel Vilariño exhibition. What is proposed here is an exploration into his creative and poetic world, but from a perspective which allows us to approach his work from an unprecedented angle or viewpoint.

In Como tizón quemado, Christian García Bello (A Coruña, 1986) streamlines his creative process towards the contained convincing nature of the gesture and the uncompromising severity of a character in a state of specific and positively radical evasion.

On the basis of the experience and recognition of four publishing houses from Galicia and Portugal, (Dispara, Fabulatorio, Ghost and Pierre von Kleist), this exhibition is rooted in the rapport between the creative act and its subsequent publication.

The museological institution is a creation of the democratic and secularised society that found within it models for the diffusion of artistic creation as well as creation of another nature for free citizens with equal rights of access to education and culture.

This exhibit explores and structures some of the most recent series by the painter Carlos León (Ceuta, Spain, 1948). It looks with special interest into the game of interrelations—both artistic and conceptual—that are established between the radical questioning of all illusionary images put forward by his painting and the purified practice of a three-dimensional production.