Exhibitions

Chaosmos is a journey through the trajectory of the Galician artist Antón Patiño (Monforte de Lemos, Lugo, Spain, 1954), focusing on an anthology of pieces that covers different stages of his work in the field of visual arts, since his participation in the foundation of Atlántica (a central reference point for Galician art in recent decades) to the present, but also in the fields of literature and thought, as the author of several books on…

Manfred Gnädinger (Radolfzell, 1936 - Camariñas, 2002) better known as Man de Camelle, was portrayed for decades by the press as an extravagant character, preventing us from looking beyond and acknowledging the true artistic dimension of his life and work. Man was a multi-faceted creator who carried out all his work in Camelle (Camariñas), completely isolated from the mainstream art world. Throughout his life he devoted his time to…

Crebas is a term that belongs to the Costa da Morte lexicon. It is used to refer to objects that the tide washes up on shore, as a result of a shipwreck or other circumstances. Under this title, the exhibition shows a selection of pieces dated from 1976 to 2019 that synthesise the essence of Torres’s work. It is a fresh opportunity to reconsider his work from other perspectives, to observe the connections between the various phases of his…

Jesús Madriñán (Santiago de Compostela, 1984) has one of the sharpest eyes for photography of the current panorama. His work has focused primarily on a reinterpretation of the portrait understood as an intermediate link between the psychological genre and the archive of typologies.

The show WORK (always) IN PROGRESS proposes a sequential exploration of the key themes of Pedro Cabrita Reis’s work (Lisbon, 1956), encompassing representative series such as Compounds, Favorite places, True gardens or Floresta, a body of work spanning three decades.

In this exhibition, Christian Villamide (Lugo, 1966), addresses the distance we people usually put between us and the territory we live in, focusing the spotlight on the force and violence we subject nature to.

Since the very beginnings of her research and artistic practice, Ângela Ferreira has always focused her work on the colonial legacy of Africa and, broadly speaking, on the relations between Europe and Africa.On the one hand, she focuses on the architectural vestiges of the twentieth century, so closely linked to modernism, and, on the other, on the possibilities art and cinema offer as instruments of critical emancipation to think and…

Although in recent years television news and journalism have catapulted the flow of refugees as a problem to the front page, the history of the 20th century is riddled with dramatic conflicts and millions of people displaced, exiled, expatriated and living as refugees.

The project 20 Red Lights is a political essay that unveils the implications of the economy’s digital financialisation and how it relates to the radicalisation of the neoliberal agenda—an issue of utmost importance in the context of our global culture, which deserves to be closely examined from the perspective of art.