The Museum as a Stage advocates the role of artistic exhibition architectures as spaces for experimentation and in which to able to position oneself between the immediacy of performance, the immersive capacity of events on stage, the installations, the happening and avant-garde sonority.
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Nalgures (Someplace) situates us in an indeterminacy that is yet to be defined, within certain fragmentary geographies: places, vestiges, modes of occupation. Narelle Jubelin (Sydney, 1960) examines the memories of certain spaces, of certain specific objectual and literary references within the Galician setting, which link up with other cartographies and with references to her own biography and artistic career.
This exhibition is presented as an exercise of decolonisation for our gaze, through different genres of painting understood as mechanisms for the domestication and perpetuity of colonialism, and it functions along with collaborations and works from other artists.
After its passage through the Museum of the Sea in Vigo and the Marcos Valcárcel Cultural Centre in Ourense, this exhibition is presented as the culmination of a project which, in its initial proposals, afforded an approach to the museum’s collection in other exhibition spaces, thus increasing its impact within our territory.
In this exhibition, Suso Fandiño proposes a series of unusual routes and links, drawing a museum space in which the works are inter-connected, creating piercing relationships. It is, above all, a matter of activating in the spectator the need to search for hidden meanings, by using the art work as a medium from which to reflect on social affairs out of the decomposition and reorganisation of the products of our consumer society.
Néboas de luz is the second exhibition from the project A Look at Galicia, which invites us to explore our most recent art history through the work of artists whose pieces have been incorporated into the CGAC Collection over the last two decades.
Along with the works especially made for the project, the exhibition also displays a selection of images belonging to earlier commissions created in Spain, a number of others from international projects and, for the very first time, Fulton's entire serial production, the multiples made over the course of his career.
In their initial approach, both apply to the biology of the image, an entirely innovative concept that the artist employs to question the transformational capacity of the image which is updated in each new medium.
From Spain With Design (FSWD) is a project by READ, the Spanish Network of Design Associations (Red Española de Asociaciones de Diseño). It was conceived collaboratively as a tool for the projection of Spanish design nationally and internationally.
