Exhibitions

In this exhibition, Suso Fandiño proposes a series of unusual routes and links, drawing a museum space in which the works are inter-connected, creating piercing relationships. It is, above all, a matter of activating in the spectator the need to search for hidden meanings. From this position, he proposes a space for play and reflection on the death of the author, the futility of the hegemonic discourse in artistic historiography, the role of…

Néboas de luz is the second exhibition from the project A Look at Galicia, which invites us to explore our most recent art history through the work of artists whose pieces have been incorporated into the CGAC Collection over the last two decades.

Along with the works especially made for the project, the exhibition also displays a selection of images belonging to earlier commissions created in Spain, a number of others from international projects and, for the very first time, Fulton's entire serial production, the multiples made over the course of his career.

The exhibition Towards a Biology of the Image presents two series from Clara Carvajal: Dioses de la frontera (Gods of the Frontier) and Argucia (Sophistry).

From Spain With Design (FSWD) is a project by READ, the Spanish Network of Design Associations (Red Española de Asociaciones de Diseño). It was conceived collaboratively as a tool for the projection of Spanish design nationally and internationally.

Paths is a project that deals with the act of walking, strolling and the experience of the path, of wandering, of the itinerary, of pilgrimage as artistic phenomena and experiences.

Pingas rompentes forms a part of the project A Look at Galicia, which, through the CGAC Collection, examines contemporary Galician creation. On this occasion, we have decided upon a specific selection of works for the context of Galicia's Museo do Mar.

David Lamelas (Buenos Aires, 1946) is a key figure in the field of conceptual art and one of the most important in the Argentinean art world of the sixties. From the very beginning of his career, his oeuvre has been characterised by its unique chameleonic ability to adapt to different contexts, be they artistic, architectural, geographic or social, in capital cities like London, Brussels, Paris, Milan, Los Angeles, New York or Berlin.