Back in the mid-nineteen nineties, a young Misha Bies Golas (Lalín, Pontevedra, 1977) discovered the CGAC out of a sort of impulse and curiosity for the institution that had just been founded in Santiago de Compostela. Thirty years on, the artist returns to the museum with a project that condenses more than two decades of research on the historical avant-gardes, understood as a field of tensions, displacements and unfinished processes.