Exhibitions

Against a backdrop ranging from Milan Kundera to Simone Weil, Vieta reflects on the contradictions of human experience through snapshots that capture the complexity of the spectrum of our emotions, thoughts and experiences. Her works redefine the relationship between opposites with the coherence that only lies in dreams.

Through fixed and moving images, reused objects, everyday sounds, photographs, interviews, works created for the radio, video performances and documents—many from the media and its sphere of influence—Jerez and Iges compose a space of visual and sound landscapes which analyse, tauten, describe and at times parody the world that surrounds us.

As part of its programme featuring mid-career artists, the CGAC is delighted to present an individual exhibition of the work of Mar Caldas, a pioneer of feminist art in Galicia. Her work, which is fundamentally photographic, is constantly renewing its stance as a means of protest against the different obstacles which, by their very nature, threaten women’s lives.

Priscilla Monge’s work has often been included in the post-conceptual scene of Latin America in the nineteen-nineties, but it should be borne in mind that during that time neither Costa Rica nor the region of Central America to which it belongs featured on the maps of internationally renowned Latin American art.