News

Friday, 15th of April of 2016

MARISA GONZÁLEZ. DOMESTICATED RECORDS

It shows the coherent evolution of that which motivated Marisa González, as well as her search for solutions to respond to present-day social problems. This is done through a dialogue held by addressing her on-going concern on what art is and the role that it can play in today's world.

Exhibition brochure
Thursday, 31st of March of 2016

ANTONI SOCÍAS. THEORY AND PRACTICE OF THE DESERT

The exhibition Theory and Practice of the Desert is a journey through the processes that are present in the work of Antoni Socias. Photography and painting, objects, installations and videos are linked through friction. His works reveal a preference for paradox and also for the absurd that subtly turn into latent social and political criticism from the point of view of lesser things, underlining the importance of attitudes in everyday routines.

Exhibition brochure

Thursday, 29th of October of 2015

JAVIER VALLHONRAT. INTERACTIONS

The Interactions project was undertaken in high mountainous areas and environments with extreme weather conditions. The artist worked in these settings to create images in which uncertainty and unpredictability clash and tussle with man’s need for control. The slow passage of time and the uncertain setting of high mountains arise in conditions that generate vulnerability. In such circumstances, our perception of the ecological and geoclimatic niche in mountainous regions as alien and threatening gradually transforms, and we observe a place that is equally vulnerable, where knowledge and direct experience interact in the presence of uncertainty.

Exhibition brochure

Press release
Friday, 18th of September of 2015

ARISSA. THE SHADOW AND THE PHOTOGRAPHER. 1922-1936

The Shadow and the Photographer shows Arissa's evolution since pictorialism to the avant-garde New Vision movement, through a careful selection of over one hundred and fifty photographs taken between 1922 and 1936. These images speak to us of a photographer and his era, who participates in the medium's technological advances and new artistic trends by providing his own vision through the experiments carried out in the intimacy of his small workshop.

Exhibition brochure

Press release
Friday, 24th of April of 2015

VAL DEL OMAR. THE MECHA-MYSTICS OF CINEMA

The work of José Val del Omar (Granada, 1904- Madrid, 1982) displays his facets as inventor, visual poet and cinemist. With this neologism, Val del Omar’s intention was to combine the activity of the alchemist with that of the film-maker, and as such define his original approach to cinema: via technological research and his own experimental aesthetics.

Exhibition brochure


Press release