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The Shadow and the Photographer shows Arissa's evolution since pictorialism to the avant-garde New Vision movement, through a careful selection of over one hundred and fifty photographs taken between 1922 and 1936. These images speak to us of a photographer and his era, who participates in the medium's technological advances and new artistic trends by providing his own vision through the experiments carried out in the intimacy of his small workshop.

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The work of José Val del Omar (Granada, 1904- Madrid, 1982) displays his facets as inventor, visual poet and cinemist. With this neologism, Val del Omar’s intention was to combine the activity of the alchemist with that of the film-maker, and as such define his original approach to cinema: via technological research and his own experimental aesthetics.

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Tectónica is not just another Manuel Vilariño exhibition. What is proposed here is an exploration into his creative and poetic world, but from a perspective which allows us to approach his work from an unprecedented angle or viewpoint. It enables him to produce a tectonic piece of work, in the metaphorical sense of the term; that is, to investigate and prove what the founding lines on which his aesthetic reflection are based are, and that explain, by way of a continuous impulse and counterpoint, all of the plastic and poetic attainments, the vital experience itself, of such a unique author.

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On the basis of the experience and recognition of four publishing houses from Galicia and Portugal, (Dispara, Fabulatorio, Ghost and Pierre von Kleist), this exhibition is rooted in the rapport between the creative act and its subsequent publication.

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In Como tizón quemado, Christian García Bello (A Coruña, 1986) streamlines his creative process towards the contained convincing nature of the gesture and the uncompromising severity of a character in a state of specific and positively radical evasion.

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