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Friday, 2nd of June of 2017

BATHERS. FOUND PHOTOGRAPHS, 1880-1963

Bathers comprises an extensive set of anonymous photographs of semi-naked boys, scarcely covered by a swimsuit and pictured in contact with nature. Boys who appear outdoors: by beaches, swimming pools, in the countryside, beside lakes or rivers, recreating the traditional iconography of bathers that has enjoyed a high profile throughout the history of art.

This exhibition project is framed within the line of work widely developed internationally (but practically unknown in Spain), in which the abovementioned democratic, anonymous, neglected, poor and vulgar photographic material, by virtue of the taste, knowledge and aesthetic reason of creators and collectors becomes a cultural artefact, an artistic production, an editorial project. This is precisely what Bathers aims to be.


Exhibition brochure


Friday, 17th of February of 2017

CRITICAL EXHIBITIONS. CRITICAL DISCOURSES IN SPANISH ART, 1975-1995

The project CRITICAL EXHIBITIONS. Critical Discourses in Spanish Art, 1975-1995, directed by Santiago Olmo and curated by Armando Montesinos and Mariano Navarro, aims to highlight the existence of critical criteria and interpretations that have shaped different theoretical lines and discourses, sometimes with shared elements and other times with clearly opposing ones, thus contradicting the cliché that critical thinking has never been part of the Spanish art world.

Exhibition brochure


Video-presentation

Press Release
Friday, 4th of November of 2016

BERTA CÁCCAMO. EXPANSIÓN ENSAIO

With an early vocation, Berta Cáccamo (Vigo, 1963) grew up in a universe linked to the creation. Considered one of the most important Spanish painters of his generation, he has been able to distil away influences from very different times, always ready to debate with her work, with the problems of art and its images.
Demanding and reflective, her painting is the product of a restless, emotional and affective way of looking. Hence the title of the exhibition, which speaks of 'expansión' because her work is a vital project and, at the same time, an 'essay' project, as it is written in the present continuous and is etched into the memory of the painting as an essential material.

Exhibition brochure

Press Release
Friday, 28th of October of 2016

EVA LOOTZ. CUT THROUGH THE FOG

This exhibition is not put forward as an anthology—it would be impossible to enclose in a single exhibition over forty years of non-stop work. Instead, it is more of an approach to a series of meaningful pieces that began to see the light in the nineteen-seventies and that have lasted to this day. We therefore find an extensive compilation of works from that early stage, although for greater precision, it would be more convenient to refer to them as ‘objects.’ They contain a predominant attitude of search and experimentation through the use of the most diverse materials. One block is made up of a series of unusual pictorial surfaces where colour has been eliminated to explore the behaviour of pigments in the supports: tar, alkyl, paraffin, wax seal, carbon, fibreglass, wool, flanelette, canvas, tarlatan, esparto, felt, etc

Exhibition brochure

Press Release
Friday, 15th of July of 2016

STEFAN BRÜGGEMANN. TO BE POLITICAL IT HAS TO LOOK NICE

The work of Stefan Brüggemann (México City, 1975) has opened up a different way of addressing the sociological and cultural aspects of language. His work deals with those linguistic contradictions that make up the paradoxes of living and coexisting with each other, questioning the rigidity of political correctness, precisely because it is false. His exhibition at the CGAC is built on spatial interventions that question the order of concepts, the logic of rules and, particularly, the conventions of the art system.

Exhibition brochure

Press Release