The discursive strategies that provide the foundation for the work of Diego Santome? (Vigo, Spain, 1966) are directly linked to the concepts of utopia and failure, equilibrium and instability. In both the selection of the materials and the work process, Santome? bases his approach on subjects related to the circumstances of everyday life and their transformation, showing the possibility/impossibility of a new order leading to a balanced society.
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Wednesday, 16th of April of 2014
PACO ROCHA. NATURALMENTE HUMANO
The photographic technique is the most basic and natural, chemical photography, where the light reflected on the landscape corrodes the elements that make up the film emulsion, thus capturing part of the very essence of the moment. Large formats using plates or film and the use of a camera with an optical bench make it possible to approach each image as if it were a complex composition, full of decisions.
Wednesday, 16th of April of 2014
27 NEGROS. MISHA BIES GOLAS
27 negros is an ensemble artwork consisting of 27 20 x 20 cm black monochrome pieces by 27 different authors. The result is a sort of commissioned anthology as well as a collective exercise in style.
Wednesday, 16th of April of 2014
100 YEARS WITH ALEJANDRO DE LA SOTA
2013 is the one hundredth anniversary of Alejandro de la Sota’s birth. Like all commemorations, this anniversary is the perfect excuse to recall and reprise the man, his work, his teaching and, perhaps most relevant of all, the currency of his legacy.
Wednesday, 9th of April of 2014
CHELO MATESANZ. MY THINGS UNDER OBSERVATION
This exhibit takes a look at the artistic career of Chelo Matesanz (Reinosa, Cantabria, Spain, 1964), beginning with her works from the end of the eighties until the most recent ones.