News

Thursday, 30th of June of 2016

Rereading the Collection

The core of any museum is its collection. The collection is a patrimonial symbol of a shared cultural memory. A territory and a culture build their identity through memory. In order to keep the memory active and not just nostalgic, it needs to be critical and self-critical, willing to continually revise itself. The function of a museum is to create one such memory and to keep it alive through countless re-readings, interpretations and research that question and that do not shy away from difficult perspectives. The temporary displays are intimately connected and linked to the collection, being as they are, another aspect of the museum's memory, a way to enrich the collection and also to accompany the artists that remain closer, those that contribute to the symbolic enrichment of the culture.

Within this project of contextualization and revision of CGAC’s collection, four expositive proposals are displayed, in which different themes are developed and which embody a counter-dialogue with other collections, public and private, linked with the CGAC and Galicia: Galician public and private collections, museum collections with which the CGAC shares temporary displays (CAAC of Sevilla and MUN of Pamplona) or collections that have maintained a special link with the CGAC, like the ARCO Collection and its current venue in CA2M of Móstoles.

Exhibition brochures: States of Exception, Essay of a Visual Culture and Louise Bourgeois. Cell.

Press release

Thursday, 21st of April of 2016

GROUPING_UNGROUPING: BREAKS IN REPRESENTATION

Between the advent of Atlántica and the emergence of Pontevedra’s School of Fine Arts, Galicia has witnessed the development of the work of a long list of artists of varying academic backgrounds and with very different aesthetic ideas and conceptual horizons. In this fertile parenthesis, they fought to broaden the horizons of their work in the most adverse of conditions in a kind of no man’s land where they were always hard-pressed to find any signs to guide and direct them. This gave rise to an exciting diversity of projects and names (at last, a lot of them women’s), larger in number if we compare it to the previous generation. This exciting difference shared a common component which was none other than the self-awareness of artistic activity and the uncontrollable contamination of languages. Theirs were ‘breaks in representation.

Exhibition brochure
Friday, 15th of April of 2016

MARISA GONZÁLEZ. DOMESTICATED RECORDS

It shows the coherent evolution of that which motivated Marisa González, as well as her search for solutions to respond to present-day social problems. This is done through a dialogue held by addressing her on-going concern on what art is and the role that it can play in today's world.

Exhibition brochure
Thursday, 31st of March of 2016

ANTONI SOCÍAS. THEORY AND PRACTICE OF THE DESERT

The exhibition Theory and Practice of the Desert is a journey through the processes that are present in the work of Antoni Socias. Photography and painting, objects, installations and videos are linked through friction. His works reveal a preference for paradox and also for the absurd that subtly turn into latent social and political criticism from the point of view of lesser things, underlining the importance of attitudes in everyday routines.

Exhibition brochure

Thursday, 29th of October of 2015

JAVIER VALLHONRAT. INTERACTIONS

The Interactions project was undertaken in high mountainous areas and environments with extreme weather conditions. The artist worked in these settings to create images in which uncertainty and unpredictability clash and tussle with man’s need for control. The slow passage of time and the uncertain setting of high mountains arise in conditions that generate vulnerability. In such circumstances, our perception of the ecological and geoclimatic niche in mountainous regions as alien and threatening gradually transforms, and we observe a place that is equally vulnerable, where knowledge and direct experience interact in the presence of uncertainty.

Exhibition brochure

Press release