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This exhibit explores and structures some of the most recent series by the painter Carlos León (Ceuta, Spain, 1948). It looks with special interest into the game of interrelations—both artistic and conceptual—that are established between the radical questioning of all illusionary images put forward by his painting and the purified practice of a three-dimensional production.

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The work of Rosendo Cid (Ourense, Spain, 1974) is based on key aspects ranging from a Dadaist spirit, as he often uses unaltered objects or images, to the somewhat serious or solemn questioning that appears to surround contemporary art. This is the result of his work in series, from which an understanding of art as a variable and constant process is derived.

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Mark Manders (Volkel, Países Baixos, 1968) é un dos artistas internacionais máis relevantes das dúas últimas décadas e autor dun dos corpus de traballo máis persoais de cuantos poden verse no concerto internacional. Ademais de representar o seu país na 55.ª Bienal de Venecia, realizou exposicións en moitos dos museos e centros de arte máis importantes do mundo e participou en Documenta 11 en 2002.

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Since 1997 Juan Uslé has been working on a series of works known as his ‘black paintings,’ which takes a central position in his oeuvre. In the fifty paintings that make up the series Soñé que revelabas, most of them done at night, Usle carries out a highly concentrated and meditative disquisition on the structural conditions of painting and the painting process.

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